
There are many bands that undoubtedly are great overall, but on every record amongst the masterpieces there’s a bunch of a lot inferior or even downright bad songs. A prime German example of such a band would be KMFDM. Every album has its fair share of instant classics, yet to counter them there’s always a couple of really insignificant and inane tracks that don’t do anything to justify their existence. But what does this have to do with Unheilig?
Yeah, nothing at all, because Unheilig isn’t like that. On Unheilig’s latest offering Puppenspiel (released February 22nd) Der Graf shows yet again his nearly unreal talent in songwriting and manages to churn out a full 14 tracks (16 if you’ve got the limited edition, like yours truly), every single one of which are enjoyable. Yes, the previous albums Moderne Zeiten and Zelluloid were both very solid and the same could’ve been said about them, but Puppenspiel is bordering perfection. To be quite honest, I was kind of skeptical when the first three samples of the album (Der Vorhang fällt, An deiner Seite and Kleine Puppe) were revealed. They were good, but they didn’t predict that many changes to the sound and formula that proved to be a winning combination on the last two CDs. However, when the urgent intro Vorhang auf exploded perfectly into Puppenspieler, it grabbed me by the throat and didn’t let go until I’d listened the CD straight through.
Most of the album is darker and notably more furious than the almost overly sluggish and romantic Moderne Zeiten, especially Lampenfieber is a surprisingly brutal cut for Unheilig, while the ballads Feuerengel, An deiner Seite and Der Vorhäng fällt are no slouches either, as they are genuinely touching and powerful. Guitars seem to have more of a driving role here than electronics making for a heavier sound than before, although synths, pianos and strings are still a large part of the band’s sound. Der Graf also uses his voice in ways we haven’t heard before. Too bad the limited edition is already completely sold out, as the two bonus songs are also terrific additions to the core experience. Probably the only song that doesn’t stand out as much as everything else is Wie viele Jahre, which seems more like filler with its weird, out-of-place Gregorian sample and is grudgingly slow.
In other words, Puppenspiel is tougher, catchier, more epic and simply put better than anything Der Graf has created before. It’s chock-full of songs that’ve been composed and produced so excellently that it’s almost ridiculous, a brilliant, expert combination of both familiar and new Unheilig elements. For fans it’s automatically a must-have, and if you’re not a fan of Unheilig yet, Puppenspiel proves that you bloody well should be, it’s that damn good. Get it and see for yourself.
Check out samples for each track on Nilaihah’s website, where you can also order it if you’re in the US. When you’ve got the album, don’t forget to vote for your favourite title on the German side of Unheilig’s website.
Where to get Puppenspiel
In the USA/Canada direct from Nilaihah Records
In the UK at MusicNonStop.co.uk
In Germany/Europe at AlphaMusic.de